14 days 3.4.2018 $12/page
10 days 30.3.2018 $13/page
7 days 27.3.2018 $14/page
5 days 25.3.2018 $15/page
3 days 23.3.2018 $16/page
48 hours 22.3.2018 $19/page
24 hours 21.3.2018 $24/page
8 hours 20.3.2018 $27/page
- 14 days 3.4.2018 $15/page
10 days 30.3.2018 $16/page
7 days 27.3.2018 $17/page
5 days 25.3.2018 $18/page
3 days 23.3.2018 $19/page
48 hours 22.3.2018 $22/page
24 hours 21.3.2018 $27/page
8 hours 20.3.2018 $33/page
- 14 days 3.4.2018 $18/page
10 days 30.3.2018 $19/page
7 days 27.3.2018 $20/page
5 days 25.3.2018 $21/page
3 days 23.3.2018 $22/page
48 hours 22.3.2018 $25/page
24 hours 21.3.2018 $28/page
8 hours 20.3.2018 $38/page
- 14 days 3.4.2018 $21/page
10 days 30.3.2018 $22/page
7 days 27.3.2018 $25/page
5 days 25.3.2018 $27/page
3 days 23.3.2018 $30/page
48 hours 22.3.2018 $33/page
24 hours 21.3.2018 $39/page
8 hours 20.3.2018 $47/page
- 14 days 3.4.2018 $27/page
10 days 30.3.2018 $28/page
7 days 27.3.2018 $30/page
5 days 25.3.2018 $33/page
3 days 23.3.2018 $35/page
48 hours 22.3.2018 $42/page
24 hours 21.3.2018 $50/page
Poetry/Anylization of Crossing Brooklyn Ferry term …
The impalpable sustenance of me from all things, at all hours of the day;
The simple, compact, well-joind schememyself disintegrated, every one disintegrated, yet part of the scheme:
The similitudes of the past, and those of the future;
The glories strung like beads on my smallest sights and hearingson the walk in the street, and the passage over the river;
The current rushing so swiftly, and swimming with me far away;
The others that are to follow me, the ties between me and them;
The certainty of othersthe life, love, sight, hearing of others.
Others will enter the gates of the ferry, and cross from shore to shore;
Others will watch the run of the flood-tide;
Others will see the shipping of Manhattan north and west, and the heights of Brooklyn to the south and east;
Others will see the islands large and small;
Fifty years hence, others will see them as they cross, the sun half an hour high;
A hundred years hence, or ever so many hundred years hence, others will see them,
Will enjoy the sunset, the pouring in of the flood-tide, the falling back to the sea of the ebb-tide.
Crossing Brooklyn Ferry research papers on the Whitman poem
Crossing Brooklyn Ferry is one of Whitmans most anthologized works, and not without good reason. It is one of the shortest, most succinct statements of his poetic vision, but it can also be read as a justification of art itself. It attempts to show how common experiences and our perception of those experiences, as conveyed by the artist, unite us no matter who we are, where we are, or when we live.
On its simplest level it suggest how art can give us a sense of commonality with an artist, or a people, who have been dead for thousand of years. On a higher level, it argues that we are all united through Nature, the Oversoul, precisely because we are all suspended in this eternal float of solution.
Crossing Brooklyn Ferry | outsidereading
Flow on, river! flow with the flood-tide, and ebb with the ebb-tide!
Frolic on, crested and scallop-edgd waves!
Gorgeous clouds of the sun-set! drench with your splendor me, or the men and women generations after me;
Cross from shore to shore, countless crowds of passengers!
Stand up, tall masts of Mannahatta!stand up, beautiful hills of Brooklyn!
Throb, baffled and curious brain! throw out questions and answers!
Suspend here and everywhere, eternal float of solution!
Gaze, loving and thirsting eyes, in the house, or street, or public assembly!
Sound out, voices of young men! loudly and musically call me by my nighest name!
Live, old life! play the part that looks back on the actor or actress!
Play the old role, the role that is great or small, according as one makes it!
Consider, you who peruse me, whether I may not in unknown ways be looking upon you;
Be firm, rail over the river, to support those who lean idly, yet haste with the hasting current;
Fly on, sea-birds! fly sideways, or wheel in large circles high in the air;
Receive the summer sky, you water! and faithfully hold it, till all downcast eyes have time to take it from you;
Diverge, fine spokes of light, from the shape of my head, or any ones head, in the sun-lit water;
Come on, ships from the lower bay! pass up or down, white-saild schooners, sloops, lighters!
Flaunt away, flags of all nations! be duly lowerd at sunset;
Burn high your fires, foundry chimneys! cast black shadows at nightfall! cast red and yellow light over the tops of the houses;
Appearances, now or henceforth, indicate what you are;
You necessary film, continue to envelop the soul;
About my body for me, and your body for you, be hung our divinest aromas;
Thrive, cities! bring your freight, bring your shows, ample and sufficient rivers;
Expand, being than which none else is perhaps more spiritual;
Keep your places, objects than which none else is more lasting.
Themes - Walt Whitman; Crossing Brooklyn Ferry
From New Hampshire, where I am teaching a seminar on the poetry and prose of Walt Whitman, to Brooklyn for a weekend arts festival on with L and D. The are a ferry ride away and so, I am indeed crossing (though across to a different island) by ferry and thinking about the good fortune of finding myself here with Whitman muttering in my head. “The crowds of men and women attired in the usual costumes,” how curious they would be to Whitman today, with painted faces and fairy wings. (A write up appears in the .) But of course Whitman was a step ahead, for as he put it, “And you that shall cross from shore to shore years hence are / more to me, and more in my meditations, than you might suppose.”