Crushed by his decision, Tereza attempts her own experiment with free love, but it does not work, because her heart is not built that way. Sabina, meanwhile, meets a professor named Franz who falls in love with her so urgently that he decides to leave his wife. Can she accept this love? Or is she even more committed to “lightness of being” than Tomas, who tutored her in the philosophy? In the middle of Sabina’s indecision, Tereza appears at her door with a camera. She has been asked to take some shots for a fashion magazine, and needs someone to pose nude. Sabina agrees, and the two women photograph each other in a scene so carefully choreographed that it becomes a ballet of eroticism.


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